Encores! Producing Creative Director: Clint Ramos.Encores! Artistic Director: Lear DeBessonet.Based on the novel Nobody’s Family is Going to Change by Louise Fitzhugh.Brilliantly utilizing two of this country’s most potent forms of storytelling-jazz and musical theater- Jelly’s Last Jam weaves a complex fable of American history, legacy, and truth. With showstopping numbers like “That’s How You Jazz” crafted by lyricist Susan Birkenhead ( Working) and composer Luther Henderson from Morton’s own music, Jelly’s Last Jam captures the profound contradictions behind the artist’s explosive talent. Now, visionary director Robert O’Hara ( A Raisin in the Sun) takes up the mantle of this wildly imaginative show that interrogates the self-declared “inventor of jazz” in a purgatorial afterlife, accusing him of denying and denigrating his cultural legacy. Wolfe ( Shuffle Along, Angels in America), as well as nine Tony nominations, three wins, and a Drama Desk Award for Outstanding Book. Full of gloriously catchy melodies like “Shy” and “In a Little While,” this uproarious update of Hans Christian Andersen’s “The Princess and the Pea” promises both classic charms and new delights.Ī vivid, impressionistic portrait of legendary jazz pianist Jelly Roll Morton, the original 1992 Broadway production of Jelly’s Last Jam secured national recognition for writer/director George C. Maisel), Once Upon a Mattress sets an unapologetic free spirit loose in a repressed kingdom, reveling in Fred’s ability to charm and transform with willpower, honesty, and a little bit of help from her friends. Led by Encores! Artistic Director Lear deBessonet ( Into the Woods, Lionel Bart’s Oliver!) and with a new concert adaptation by Amy Sherman-Palladino ( The Marvelous Mrs. More than six decades later, musical theater legend Sutton Foster ( The Music Man) returns to the City Center stage alongside an all-star creative team to recapture that same infectious energy and joy. In 1959, two as-yet-untested stars made their Broadway debuts: Mary Rodgers, with a gorgeous score that put her on the map, and Carol Burnett, in her first stage role as the brassy, loveable Princess Winifred the Woebegone-or “Fred” to her friends.
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